Tanukichan

*All events are 21+ valid ID required for entry*

*Attendees are encouraged to wear masks while not actively drinking*

 

7PM – Doors

8PM – Show

 

TANUKICHAN

Tanukichan is the solo project of classically-trained Bay Area native Hannah van Loon, whose music screeched to a halt when she discovered what she affectionately calls “dad rock” in her tween years. Throughout her self described “sheltered” adolescence, van Loon taught herself guitar by spending hours in front of the radio, replicating riffs and chords from omnipresent bands like The Beatles and Incubus. Although van Loon is the creator and leader of Tanukichan, the project can be considered a collaboration between her and the Grammy-nominated chillwave pioneer Chaz Bear of Toro y Moi. After seeing an early Tanukichan show in 2016, Bear expressed an interest in working with van Loon; Radio love,Tanukichan’s first headbanger of an EP, arrived on Bear’s own Company Records that same year.The promising four-song project was followed in 2018 by van Loon’s breakout debut LP, Sundays, which prompted her first solo headlining tour and dates opening for artists like Kero Kero Bonito and The Drums. Sundays earned Tanukichan enthusiastic critical acclaim, with Pitchfork writing that it “captures the spirit of a day whose wide-open nature fosters anxieties as well as ambitions” and Rolling Stone lauding its “bruising riffs, taut grooves, and open-road-ready guitar anthems.” Tanukichan’s sophomore album GIZMO is out on March 3rd, 2023. While still rooted in the eerie shoegaze she’s become known and loved for, it also sees her go beyond her comfort zone, incorporating elements of grunge, industrial synths, nu metal basslines, and electric guitars that culminate into a captivating wall-of-sound. The result is her most fun-sounding work yet.

WINTER

What Kind of Blue Are You?, Winter’s sophomore release with Bar/None Records, is an emotional excavation of Samira Winter’s purest self.

Musically, the LP’s 10 songs reconnect with the earliest incarnation of Winter, once again painting with brushstrokes of distorted guitar, but using them to fuel a wiser, more mature form of sonic liberation. Whereas 2020’s Endless Space (Between You and I) was steeped in fairytale surrealism and springlike grace, her latest offering is crystalline and spartan, songs stripped to their inner blue core, Winter’s smoldering shadow self.

It’s another stunning work in a canon that’s established her as one of Los Angeles’ most enduring, consistently-head-turning dream poppers, the melancholy and bittersweet beauty that’s been with her throughout Winter’s existence now pushed to center stage. Strengthened by her ever-increasing powers as a songwriter, she confronts painful wounds of trauma and despair for the first time on record, and achieves some semblance of peace and healing in the process.