L.A. Witch

*All events are 21+ valid ID required for entry*

8 PM – Doors
9 PM – Show

L.A. WITCH

L.A. Witch have always exuded an aura of effortless cool whether it manifested as the Americana noir and laconic back-to-basics rock n’ roll of their self-titled debut or the blistering austere adventurism of their sophomore album ‘Play With Fire’. The band—comprised of Sade Sanchez (guitar/vocals) Irita Pai (bass) and Ellie English (drums)—began as an informal affair but the sultry and beguiling reverb-draped songs they created caught on with the public moving the project beyond the insular space of the band’s friends and peers in Southern California into the broader world. On their latest album ‘DOGGOD’ the trio push their craft beyond their previous creative and geographical confines opting to craft the material in Paris recording the tracks at Motorbass Studio on the Rue de Martyrs.’DOGGOD’ explores broader swaths of sonic terrain employs a greater arsenal of tones and probes larger existential and cosmic themes all while retaining the band’s signature sense of the forbidden the forsaken and the foreboding.

DAIISTAR

DAIISTAR is a noise-pop / shoegaze band formed in Austin, Texas in the spring of 2020. The band takes their inspiration from the neo-psychedelic era of the 80s and 90s (The Jesus and Mary Chain, Spacemen 3, Primal Scream) and pulls it into the future with modulating synthesizers, heavy guitars, bouncing bass lines, and spiraling hooks, creating a narcotic blend of noise and melody. DAIISTAR recently recorded their first studio album produced by Alex Maas of The Black Angels and engineered by James Petralli of White Denim, “Tracemaker” is their debut single from the album which is also available as a lathe cut single with a cover of Primal Scream’s “Burning Wheel” on the b-side.Their debut album is due Sept 2023 on Fuzz Club Records.

FLATWAVES

Flatwaves is a Philadelphia-based band that melds the lush, immersive textures of 90s shoegaze with the raw energy of rock ‘n’ roll and the psychedelic swirl of fuzzed-out garage rock. Since 2018, they’ve been defying genres with swirling guitar layers, driving rhythms, and cavernous vocals, sonically checking influences like The Black Angels, Nothing, Cloakroom, and Dum Dum Girls. Their intense live shows deliver a celestial wall of sound that envelops the room while retaining a visceral and unfiltered edge. This summer they’ll drop their second LP on Abandon Everything Records, which will continue the band’s explorations of death and disorientation.